Already breaking up? Ethic shares current state after Reckless drops solo project

Music Groups are the in thing in Kenya currently and fans are enjoying each and every piece of their work.

Ethic Entertainment is one of the biggest groups in Kenya and is known for its hit song “Lamba Lolo” which started a music revolution in Kenya.

Fans, however, have been holding their guts after word started circulating that they are breaking up. This is after Reckless, one of the members announced that he’s working on a solo project.


Ethic Entertainment need Rekless more

Remember Reckless wasn’t also featured on Otile’s Brown song that included other Ethic guys.

Ethic’s management has now been forced to release a statement to calm fans saying that the group is very much intact and Reckless isn’t going anyway.

“Reckless is working on a solo project. But this does not mean that the group is separated,” said the team. 



New-age musicians should not do collabos with established artists, here’s why

In my opinion, the new crop of Kenyan musicians should avoid working with artists who have been in the game for a longer period than they have. Instead, they should release more projects with their fellow new-age artists and push the new sound.

Also read: Stop looking for content from new-age musicians!

I’m sure many established artists are dying to do collabos with the likes of Boondocks Gang, Ethic, Zzero Sufuri, Ochunglo Family, Sailors Gang, Gwaash etc., because they are hot on the streets at the moment.

Zzero Sufuri

I, however, feel that they should not work with them, at least not just yet because it’s too soon and they should first grow their names and fan bases before they consider doing collabos with people who have been in the industry for many years.

Secondly, the new Kenyan sound will be diluted if they start doing collabos with established artists left, right and center. Truth is that the two groups have different approaches to music and as soon as they start working together, the older folks are likely to influence the youngins.

As a result, new-age artists will lose their rawness, for lack of a better word and be drawn to sensible music. On the other hand, established artists might also be influenced by the youngins and maybe, just maybe they will also start releasing Wamlambez-like songs and we don’ t want that or do we?

Boondocks Gang Chura
Boondocks Gang

Granted, the new-age artists stand to gain a lot by working with their older peers but at what cost? Who bears the brunt? The way I see it, this is their time and they should maintain the unique identity of the new Kenyan sound by working with each other.