On the Defence! Top Kenyan Celebs React to the Comparison between Naija and Kenya’s Entertainment Scene

So yesterday, our very able cinematographer, Vince, decided to do something he rarely does; write an piece with more than 140 characters. And, boy, the piece has really sparked a storm because he touched a spot where it hurts most.

Well, the story in question, compared the Naija showbiz scene to the Kenyan one giving an upper hand to the former. This elicited sharp reactions from Kenyan artistes who came out to defend our showbiz scene. While, I don’t completely agree with Vince in all aspects, the article was balanced.

Here’s what Calvo Mistari had to say;

“We aren’t at the same level!

You haven’t indicated a stand by the Nigerian government (from lobbying by associations both film and music ) implementing over 60% media airtime to local productions and local continent (this has moved to 80/85% due to public demand) and this has helped their industry. Their djs also vowed to give a black out to international music to allow their own to prosper and 10/15 yeasr down the line the impact has allowed them to grow past their borders.

Here in Kenya we are lucky even to get 10% airtime on our local music or Movies and tv shows, dominated by Mexican soaps on air, Nigerian movies back to back on our free to air stations (that reach the mases, notice you have choice on pay TV) Our local acts can barely earn a living.

I believe “whatever you feed a child they grow to like it and feed off it”, we have made ours like Mexican soaps more than a local drama like ‘lies that bind’ for example.

We love Kwaito and Naigerian music mostly coz it’s in Mases in our radio and tv shows.

Our tv stations will have Afrosinema but can’t have a marathon of local content.

Our radio stations will have a Nigerian Radio programme daily but can barely play local music weekly.

It’s only in Kenya you go to a club and you will barely hear a Kenyan song play, go to Uganda, Tanzania, Zimbabwe, DRC, even in Somailia, they aren’t bumping to other people’s music more than theirs!

Actors struggle to survive in Kenya because they have to fight for the 5-10% local airtime the local programming might get to distribute amongst them.

There’s is new talent in the arts everyday but we shall never get to hear or see them, because Man Must Live, and thus a lot will have to change before that is realised.

Solutions do exist, put the government to task to help create employment. Do you know how much employment will be creates should they decide to pass a bill that allows 60% or more, of local content to grace our tv, radio and any other form of media?

Calvo_Mistari.jpg

Calvo Mistari with UhuRuto


Tv production alone will allow for more script writes, actors, producers, directors, art departments, ser designers, make up artists, extras, cameramen, editors, lights and grips,… The list Is endless.

Music will grow 10 folds. All these new talent that get shut down before they even leave the studio, all the music that we don’t know of that will fill out hearts, make us dance, laugh, cry, sing, think… The list is endless.

The media association of Kenya is quick to try shut these changes down and feed you cheaper alternatives to them thus making them more money and denying us the very succes we crave for.

The industry has improved a lot, can you compare Vioja mahakamani with productions that exist today? Can you compare Music as it begun in the late 90s to now. I think our Kenyan music has grown and if fed to the children, it will take off. We can’t sit and compare ourselves with Nigeria and South Africa yet they have had 30-40 years of politics before they came together and put their feet down.

Our industry is barely a teenager, let’s help it grow and belive you me, 10years from now we shall be talking a whole different ball game.

Tunaomba serikali “Level the playing field!”

What if we begun the charity at home, what if? Tafakari hayo.

Do excuse the typos

Yours trully

CalvoMistari”

Calvo Mistari’s sentiments were echoed by Nonini, producer Kevin Pro-Voke and Fundi Frank.

About this writer:

Jeff Omondi (Writer)